A Paper on the Legalization of Marijuana - 2022 Words

Push the Kush Rhetorical Precis In his research paper â€Å"Push the Kush† (2014), Tanner Terry, a junior at Granite Hills High School, argues that society, as a whole, will benefit from the legalization of marijuana. Terry supports his assertion by illustrating the various benefits that the legalization of marijuana can encompass such as help lower crime rates, develop the economy, and improve health. The author’s purpose is to persuade the reader so that more people will become informed of the benefits that marijuana can have on society. His audience is directed to anyone with an interest surrounding this topic. Introduction One of the most controversial topics in our country today, is the legalization of marijuana. As time†¦show more content†¦In 2 A.D. Hua T’o a surgeon used red wine and marijuana for anesthesia for painful surgeries. Marijuana wasn’t just used in China. It also spread throughout India and into North Africa, and then eventually to Europe by A.D. 500. In 1611, Jamestown, an original American colony, became the number one crop grower for both tobacco and marijuana. During this time, it was used as a source of fiber. Also, in the mid 1800’s and mid 1900’s, Marijuana was used to calm labor pains, nausea, and rheumatism. Marijuana in the south during 1890 was a more popular crop than cotton. In the 1930’s, the U.S Federal Bureau of Narcotics portrayed marijuana as inducer for heavier drugs such as meth, cocaine and crack. Marijuana production intensified in North America during the World War Two era, because Asia’s hemp was cu t off. Culture also shifted, as jazz music started to revolve around marijuana. Marijuana was not illegal during the jazz era it was tolerated since it wasn’t a nuisance for the community. â€Å"Reefer Songs† became a huge portion of the market for music. In 1947 the U.S. governments spent over 270 million on fighting against marijuana. By the 1960’s hippies or college students took in the drug and embraced it as a symbol for rebellion. In 1961, Harry J. Anslinger, the assistant prohibition commissioner in the Bureau of Prohibition and then appointed as the first commissioner of theShow MoreRelatedResearch Paper Marijuana Legalization2495 Words   |  10 PagesAbstract Marijuana is the people’s drug of choice; it’s the most popular drug of all the drugs. Made famous in movies (Cheech and Chong), hit an all-time boom in the 60’s when smoke to rebel against law enforcement. It is popular even though it is illegal in the United States; I explain in this paper why we should take advantage of its popularity and help our struggling economy. How we can use the way Amsterdam regulates its recreational marijuana, and implement it in the United States. ViolenceRead MoreMarijuana Position Paper - Pro Legalization3633 Words   |  15 PagesResearch Based Position Paper Marijuana Laws in a Rapidly Changing American Society The turbulent history of Marijuana prohibition in America is one filled with racial motives and propaganda, but surprisingly was not an issue before 80 years ago. In fact, when Ronald Reagan was a child, marijuana was still legal in his state (Guither). Many people assume that marijuana was made illegal through some kind of scientific or medical process which classified it as a dangerous drug, and thoughRead MoreLegalization of Marijuana Research Paper1726 Words   |  7 PagesMarijuana is a very popular drug that many people have used. Over 98 million people over the age of 12 in the United States have smoked marijuana. It is known under many different names such as: weed, bud, ganja, hashish, doobie, reefer, mary-jane and grass. It plays quite a substantial role in modern day pop culture and almost everyone over the age of 16 knows what it is. Despite all this, marijuana is illegal and in most states a person can be sent to jail for the possession of less than a gramRead M oreMarijuana Legalization Research Paper2751 Words   |  12 PagesShould Marijuana be legalized in the U.S.? Grass, skunk, kush, mary jane, chronic: just a few of the slang terms for Marijuana. Marijuana (of Indian origin) is the brown, green and gray assimilation of dried leaves, seeds, and stems. This plant is the most commonly abused illicit drug in the United States of America, and the third most used recreational drug behind only tobacco and alcohol. It has been used by nearly 100 million Americans. According to government surveys, some 25 million AmericansRead MoreThe Legalization Of Marijuana For Recreational Purposes1344 Words   |  6 PagesThis is a paper pertaining to the legalization of marijuana for recreational purposes. 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The film carries itself with a certain novelty as it tries to fit in with the taboo subject of marijuana; asRead MoreThe War On Drugs And Its Effects On The United States1413 Words   |  6 Pageswith it a public health issue concerning the use and abuse of illegal drugs. Responding to the crisis, the US department of Justice established the Bureau of Narcotics and Dangerous drugs, which was designed to control illegal drugs, specifically marijuana. Building on the prohibition, in 1971 President Richard Nixon officially declared a â€Å"war on drugs†, which resulted in an increased federal role in the warfare by providing the federal government with power to institute new mandatory sentencing lawsRead MoreThe Legalization Of Marijuana And Marijuana Essay1314 Words   |  6 PagesMarijuana or Cannabis is one of the bused drugs in America and the rest of the world. Interesting accumulating evidence show that the significant negative impact of this drug outweighs the positive effects. However, the medical benefits of the drug seem on the process of chemical compounds as compared to the drug itself. Medical debates show that chemical compound in marijuana are the problem as compared to the plant. The said chemical compound affects the mental and physical health of the personsRead MoreThe Legalization Of Marijuana For Industrial Use940 Words   |  4 Pagesthe United States look down upon the thought of cannabis but the legalization of marijuana for industrial use would create jobs, benefit the economy, and contribute to the environment through a number of uses from the plant. A good choice would be to crack down on the sales of marijuana, but the smarter choice would be to legalize! Many jobs would be created for the growth of cannabis. In order for the US to grow and sell marijuana, taxes would be added, therefore creating more money for the economyRead MoreShould Marijuana Be Legalized?1449 Words   |  6 PagesSince the first efforts to legalize marijuana in the 1960s, Americans have become progressively more accepting of requests to liberalize laws restricting possession and use of marijuana, but the shift has not been a straight line. After 11 states decriminalized marijuana possession in the 1970s, recoil led by suburban parents led too much harsher implementation of drug laws. But since California legalized medical marijuana in 1996, outlooks toward the drug have relaxed significantly.(A Brief History

John Coltrane Free Essays

To the public he is known Just as another Jazz musician but for those with a more in depth music appreciation he remains one of the most significant saxophonists in jazz history. John â€Å"Trans† Chlorate’s impact on the music world was quite considerable. By revolutionize music with his own techniques Chlorate changed jazz music forever. We will write a custom essay sample on John Coltrane or any similar topic only for you Order Now Chlorate was a American Jazz saxophonist, composer, bandleader, and iconic figure of the twentieth century. As a Jazz singer and Jazz enthusiast myself, Chlorate’s techniques and music is not on impacting but created an emotional connection between Jazz and me. Author Lewis Porter says Chlorate was â€Å"one of the great musical artists of the twentieth century’ (Porter 1) in his book â€Å"John Chlorate: His life and music†. I chose to read about Chlorate because of his great influence on me involving my newfound love for Jazz. His life and achievements amazed me Just as much as the first time I heard his melodies come out of his tenor saxophone. His use of modes in Jazz later helped pioneer new beginnings in free Jazz and influence a plethora of future generation musicians. Lewis Porter, a professional Jazz scholar and performer, meticulously researched Chlorate’s life and wrote about his success despite having a very demanding lifestyle. Dedicating his life to music at a very young age by playing the clarinet and then eventually moving on to play in a Ana band in Hawaii for a year after discovering the Be saxophone was all difficulties he faced early on in his life. The tasks themselves weren’t difficult but experiencing them all at the age of twelve soon after his aunt, grandparents, and father passed away within a few months of the same year these tasks became almost impossible. After his fathers death Chlorate’s performance in school changed drastically. Rather than being a top student, he became an indifferent student, earning many Co’s† (Porter 18). Although his determination for schoolwork declined it seems that after his father’s death music was Chlorate’s safety net. â€Å"He began playing music around this time and it may be true that perhaps music was too much on his mind. But more to the point, his obsession with music was a way of dealing with the tragedies in his life† (Porter, 18). Another obstacle Chlorate was forced to deal with was segregation. Although violence was not something commonly mound in Chlorate’s town â€Å"there were constant reminders of second-class status† (Porter 19). Schools, restaurants, fountains, and more were segregated. â€Å"If the white schools got new books one year, the blacks might have got them a few years later. They got used books from the white schools† (Porter 19). Due to the hardships of segregation, Chlorate, his mother, and sister desperately tried to better their lives. After his fathers death John Chlorate’s family soon went from middle class to poor. Chlorate’s cousin, who lived with Chlorate for many years, recalled, â€Å"after his father eased, things changed. Our mothers had to go to work, and my aunt and my mother worked together at a country club. John used to shine shoes there. No one really knew how we lived, but we had to rent our bedrooms and we all slept downstairs. My mother, John, and I all slept in the dining room. We had cots. And John was sick there, he had some sort of- not asthma, but we had to sit up with him at night. This went on for a long time† (Porter 20). During Chlorate’s senior year of high school his mother decided to move to Philadelphia to obtain a greater income. Sure enough Chlorate radiated from High Point High School along with the superlative â€Å"Most Musical†. After graduation he bought an apartment with his mother in Philadelphia. Along with the apartment Chlorate’s mother bought a piano. â€Å"Johns mother had a piano-a tall upright that housed a working player piano unit. John began to work toward becoming a professional Jazz musician† (Porter 24). Many say that John Chlorate was destined to be a musician. He was surrounded by music as a child. Before his father’s early death, Chlorate’s father had a love for music. His father played several instruments and his interests later influenced him. Not only was his father passionate about music but so was his mother. Chlorate’s mother was musical-she sang and also played piano’ (Porter 25) John Chlorate’s cousin said â€Å"we had a big radio in the living room that stayed on all the time. We listened to everything†¦ We listened to Frank Sinatra, everybody, you name it. He and I would turn the radio up loud so that we could hear it in the kitchen† (Porter 26). Chlorate’s first instrumental training was with a community band where he bean on an alto horn. At that time Chlorate said, â€Å"l hadn’t decided yet to become a repressions musician. I learned a little bit haphazardly, without any system, Jus enough to play a song or two. This was my first contact-so to speak- with music† (Porter 28). Around the fall of 1940 is when Chlorate fist became interested in the saxophone. Chlorate chose the sax because of his admiration for tenor saxophonist Lester Young. Soon Chlorate mastered the tenor saxophone. â€Å"There was a room in his house he would use Just to practice. He played everyday, all day long. And then he would stop to get ready to go to work that night. Music was really his life† (Porter 254). Not only was Chlorate a hard working musician, he was in a thriving city for the arts at the time, Philadelphia. Philadelphia nurtured a thriving Jazz community in the sass’s† (Porter 35). Lucky for Chlorate, right by his apartment was the Woodbine Club, â€Å"where local musicians would Jam on the weekends† (Porter, 36). As of 1945, right after graduating high school at the age of sixteen, Chlorate started to pick up on professional gigs and performances in Philadelphia. He soon b ecame close friends with a pianist and guitarist and formed a trio that performed in cocktail ears around the city. Soon after his trio formed Chlorate Joined the ‘musicians union’. Unfortunately, with World War II raging Chlorate was forced to put his music career in Philadelphia on hold once he was drafted into the Navy. Once discharged Chlorate bean to develop a new approach to music based off of multiple musicians he had encountered over the years. â€Å"Chlorate had been under the spell of Johnny Hodges, the celebrated loyalist from Duke Elongation’s band. Chlorate had a special penchant for romantic ballads that perhaps even dated back to his late father’s taste† (Porter 1). Chlorate was outgoing and put himself out into the music scene at a young age. He was not, as one might have thought, a great talent who took a long time to get recognized. He was, rather, someone who did not begin with obvious exceptional talent, and that makes his case all the more interesting-one can become one of the great musicians of all time and not start off as some kind of prodigy’ (Porter 44). John Chlorate came across many obstacles throughout his childhood and music career. Lewis Porter shared Chlorate’s story wonderfully, showing that the struggle he faced were not strong enough to stop him from doing what he loved to do, play music. Chlorate wanted his music to be a force for good, and I think it has been. One doesn’t have to be religious to find Chlorate’s expression of spirituality profoundly moving and important† (Porter 300). Even though Chlorate’s death was over fifty years ago, through his music he remains alive. Chlorate will be forever one of the best because of his accomplishments in the study of Jazz music. How to cite John Coltrane, Papers

Are locusts next Essay Example For Students

Are locusts next? Essay Floods and fires play havoc with theatres economic stability July was the cruelest of months for the Iowa Summer Rep. Instead of audience members vehicles, the weekend of July 10 saw the parking lot of the Iowa City theatre filled with assorted carp and silverfish, none of whom had the slightest interest in seeing The Kentucky Cycle. As the Iowa River rose past the mark it is only supposed to reach once every 500 years, artistic director Eric Forsythe watched his pre-Broadway coup float away from his grasp. Over in Des Moines, the good customers of the Ingersoll Dinner Theatre were enjoying the first act of Annie when the river suddenly overwhelmed the local power station and all of the lights in the theatre went out. The Ingersoll then lost its water supply for several weeks, giving owner Charles Carnes his worst summer in memory. Cut off from civilization And at about the same time in Arrow Rock, Mo., Michael Bollinger was wondering if the selection of both The Rainmaker and Singing in the Rain for the same summer season had been asking for trouble. The Lyceum Theatre had just spent $700,000 on a brand new 338-seat theatre facility just one mile from the Missouri River. A 100-foot bluff saved the building from being swallowed by water, but the tiny town of Arrow Rock became virtually cut off from civilization as one road after another was closed down. That made it virtually impossible for audiences from Columbia or Kansas City to reach the theatre. After the local water treatment plant was flooded, bewildered imported actors from New York and Los Angeles were forced to drink from cans and take showers in plastic bags. Meanwhile, Bollinger and his staff were busy fielding hundreds of cancelled reservations. Theatres across the Midwest are still counting the costs of last summers unparalleled floods which played havoc with programming across the region, disrupting audiences and bank balances well into the fall. Although the floods came at a time when many regional houses were dark, summer and year-round operations across Illinois, Iowa and Missouri found themselves thrust into chaos. Debbie Denenberg of Missouris historic Goldenrod Showboat, based in St. Charles, Mo., estimates that the commercial operation lost over $250,000 when the boat was forced to shut down for its entire summer season of 14 weeks after the Mississippi suddenly became a less-than-calm place to pass a few hours. The reliable Goldenrod may have continued to float, as it has since 1909, but that did not mean anybody without his own boat could get anywhere near the banks of the river. Doused by the media Ironically, even theatres that remained relatively unscathed by the floods suffered from the common media-induced perception that an entire region of the country was under siege. Thanks to a floodwall, the town of Rock Island, Ill. was not flooded like the communities on the other side of the river. Still, the Circa-21 Dinner Theatre had to watch its precious bus parties cancel in droves all summer long. People thought we were all under water, complains producer Dennis Hitchcock. The flood really affected everyones attitude. The social problems caused by the disaster also had an unpleasant effect this autumn when theatres began to look to local businesses for their customary financial support. That problem was particularly acute in St. Louis, where many economically devastated residents were made homeless, and where many corporations diverted their usual philanthropic arts monies towards flood relief. Last season we had major corporate sponsors for three of our mainstage shows, says Ronald J. Himes of the St. Louis Black Repertory Company. This year we have only one. .u656c4d0b56e20a9ccd63386c6d880263 , .u656c4d0b56e20a9ccd63386c6d880263 .postImageUrl , .u656c4d0b56e20a9ccd63386c6d880263 .centered-text-area { min-height: 80px; position: relative; } .u656c4d0b56e20a9ccd63386c6d880263 , .u656c4d0b56e20a9ccd63386c6d880263:hover , .u656c4d0b56e20a9ccd63386c6d880263:visited , .u656c4d0b56e20a9ccd63386c6d880263:active { border:0!important; } .u656c4d0b56e20a9ccd63386c6d880263 .clearfix:after { content: ""; display: table; clear: both; } .u656c4d0b56e20a9ccd63386c6d880263 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u656c4d0b56e20a9ccd63386c6d880263:active , .u656c4d0b56e20a9ccd63386c6d880263:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u656c4d0b56e20a9ccd63386c6d880263 .centered-text-area { width: 100%; position: relative ; } .u656c4d0b56e20a9ccd63386c6d880263 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u656c4d0b56e20a9ccd63386c6d880263 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u656c4d0b56e20a9ccd63386c6d880263 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u656c4d0b56e20a9ccd63386c6d880263:hover .ctaButton { background-color: #34495E!important; } .u656c4d0b56e20a9ccd63386c6d880263 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u656c4d0b56e20a9ccd63386c6d880263 .u656c4d0b56e20a9ccd63386c6d880263-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u656c4d0b56e20a9ccd63386c6d880263:after { content: ""; display: block; clear: both; } READ: New faces EssayThe Repertory Theatre of St. Louis also had great trouble this fall trying to remind subscribers that it was time to renew, when most peoples minds were occupied with issues extratheatrical. Everyones attention was focused on recovering from the flood problems, says managing director Mark Bernstein. People were telling our telemarketers that they were completely tapped out. After a strong start to the annual campaign, the theatre finished with 500 subscribers fewer than the previous year, a drop that Bernstein attributes to residual problems from the summers disaster. Even though it suffered no direct flood damage, Iowa Citys Riverside Theatre has also seen its subscription base collapse. There has been a malaise over the entire community, says artistic director Ron Clark. People have had to choose between season tickets and new carpeting or dry wall. The theatre has lost 400 percent of its season subscribers, causing worrying financial instability. There is, of course, no midwestern monopoly on Acts of God. Just ask anyone who works on the West Coast. The Laguna Beach Playhouse came within inches of burning to a cinder last October, when fires swept across southern California. Embers landed on the theatres property, igniting grass just 100 feet from the building. Managing director Richard Stein stationed his loyal technical staff on the roof of the theatre, where they hosed down both the building and any adjacent trees. With cars parked ready for a quick evacuation and wearing respirator masks hurriedly pulled from the scene shop, staffers and volunteers frantically backed up computer data and loaded valuables into a van. Happily, the fire ultimately turned in a different direction and the theatre remained untouched, faring better than much of the rest of Laguna Beach. Importance of being insured What are the lessons to be learned from these theatres encounters with natural disaster? First, there is the importance of good insurance. The Laguna Beach Playhouse has recently added business interruption to its list of coverages. The fire made us all realize how vulnerable we were, says Stein. And that additional coverage was really not especially costly. Good communication with audience members is also important when crises hit. The same afternoon of the fire, Stein was calling the local press to reassure people that the theatre was unharmed. Bollinger made sure the whole region knew that performances at Arrow Rocks Lyceum were continuing as scheduled,even if audiences were both wet and tiny. Looking back with hindsight, the Iowa Summer Reps Forsythe regrets his understandable decision to cancel performances of The Kentucky Cycle one day at a time, hoping that at least some performances could be saved. That pattern of uncertainty was confusing for the audience, he now believes. When we rescheduled in the fall, people did not believe that we were really back. Instead of the theatres customary 95 percent of capacity, The Kentucky Cycle played in August to houses that were half empty. When disaster strikes, communities invariably pull together, giving theatres the chance to demonstrate their willingness to give something back to their supporters and enjoy some positive public relations. The Laguna Beach Playhouse gave away 200 tickets to local firefighters and wrote personal letters to subscribers who had lost their homes. Circa-21 offered free South Pacific tickets to Red Cross volunteers working on flood relief. Actors from the St. Louis Rep performed for families in flood shelters, and other St. Louis companies donated money from concession stands and lobby collections to relief efforts. Theatres throughout the region adopted a liberal exchange and refund policy, cheerfully returning the money of anyone who was waterlogged and unable to make it to any performance. If there was a positive side to the recent natural disasters, perhaps it was that many companies enjoyed a new sense of their value to their host communities. The Lyceums Bollinger especially enjoyed a local news report interviewing a motorist stuck in pouring rain on a flooded Interstate 70 in the middle of nowhere. I have to get through, the woman shouted to the sodden reporter. I have tickets for the theatre. .ud31892006ee314857b35ce0ab07c91b6 , .ud31892006ee314857b35ce0ab07c91b6 .postImageUrl , .ud31892006ee314857b35ce0ab07c91b6 .centered-text-area { min-height: 80px; position: relative; } .ud31892006ee314857b35ce0ab07c91b6 , .ud31892006ee314857b35ce0ab07c91b6:hover , .ud31892006ee314857b35ce0ab07c91b6:visited , .ud31892006ee314857b35ce0ab07c91b6:active { border:0!important; } .ud31892006ee314857b35ce0ab07c91b6 .clearfix:after { content: ""; display: table; clear: both; } .ud31892006ee314857b35ce0ab07c91b6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ud31892006ee314857b35ce0ab07c91b6:active , .ud31892006ee314857b35ce0ab07c91b6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ud31892006ee314857b35ce0ab07c91b6 .centered-text-area { width: 100%; position: relative ; } .ud31892006ee314857b35ce0ab07c91b6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ud31892006ee314857b35ce0ab07c91b6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ud31892006ee314857b35ce0ab07c91b6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ud31892006ee314857b35ce0ab07c91b6:hover .ctaButton { background-color: #34495E!important; } .ud31892006ee314857b35ce0ab07c91b6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ud31892006ee314857b35ce0ab07c91b6 .ud31892006ee314857b35ce0ab07c91b6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ud31892006ee314857b35ce0ab07c91b6:after { content: ""; display: block; clear: both; } READ: Robert Schlosser: reinventing the audience EssayChris Jones writes about theatre in the Midwest for Variety.